“I don’t know where to start, where to end. She’s just… she’s the one. And I love everything about her.” -Zach
It doesn’t get much better than that folks! A groom who hasn’t cried his whole relationship with his bride, and on their wedding day, he breaks down several times. Yup, he’s in love y’all. Tiff and Zach, thank you so much for trusting us to capture your day! You two are one of the many reasons why we absolutely LOVE what we do.
Russell Martin Photography
Florida Wedding DJs
Footage cut to “Lights Down Low” by Haven Drive and licensed through The Music Bed.
There was even a surprise proposal during the reception by one of the Best Men! This was one of our top favorite moments ever!
Russell Martin Photography posted some pretty fabulous photos from Zach and Tiff’s day, so be sure to hop over to his blog to see all the pretties.
And don’t forget to check out their teaser below! :)
Totally loving Steve and Meghan’s winter wedding at The Treasury on the Plaza. We had so much fun filming this one and I can’t wait to get started on their full film!
“Was that you crying during the first dance?” Best time ever. I even got a bit emotional. And y’all, it SNOWED. Yup, you read that right. DJ Jacob Towe made it snow. The perfect ending to one glam winter wedding.
Thank you to Chic Booth for the rad photo booth set-up.
“She has multiple laughs, and when she get’s this uncontrollable one going, it’s the best thing you’ve ever heard. I laugh because of how she’s doing it and I try to get her to laugh like that every single day. It’s probably the most genuine thing, you just can’t fake it.” – Lyle
Alexandra and Lyle are a couple I’ve fallen in love with over the past few weeks. As with any wedding day, things go awry, nerves are at an all-time high, and sometimes it even rains. Through it all, these two were always centered on each other. The way they looked at each other, it was as if no one else was in the room. Congratulations, and a very Happy New Year to a couple I will always love!
John and Katie’s wedding was the first event we’ve captured at The Barn at Rembert Farms. And let me tell y’all, this venue certainly did not disappoint. Let’s just say, it’s become one of my favorite places to shoot! :) Congratulations to our newest GBVideo couple, John and Katie!
On Friday at 7pm, you and your team of no more than 5 receive a genre, a prop you must use in your film, and a line of dialog you have to have in your film somewhere. None of these things are known to any team before exactly 7pm on Friday.
You have 48 hours (typically, 7pm on Friday to 7pm on Sunday) to come up with a story, write a script, storyboard, plan the shoot (actors, shooting schedule, costumes, makeup/hair, etc…), shoot all the scenes, edit the movie, add in any effects, etc… you need, and deliver the film.
Film must be 3-5 minutes long.
You can have as many actors/actresses as you want/need–they don’t count towards you 5 member team.
The entry cost is $5 a person
Prize (this year) was $300.
This year we were just one of twenty-five teams that entered. It was the biggest year yet. The details of the competition were to be given at a hip coffee shop in downtown Gainesville: Volta. You could say the energy-infused name of the shop was perfect for this evening because the room was abuzz. Before a crowd of anxious filmmakers, Marc Shaboz, the host of the event and competition, announced the genre, prop, and line of dialog:
Genre: Vintage Sci-Fi
The prop: Battery
The line of dialog was: “So, it’s sorta social, demented and sad, but social. Right?” (The Breakfast Club, 1985).
You could feel the anxiety in this moment.
What?!? Vintage Sci-Fi!?! I literally said aloud: “Aaaahhh… $h!+…”. Actually, I’m pretty sure I said that, like, really out loud (and I’m naturally pretty loud). In all the hustle & bustle, though, I’m fairly certain that no one from any of the other 24 teams squeezed into that tiny downtown coffee shop heard me. But, yeah… that was what we got. I was stunned.
I (nor any of my amazing team) had ever shot anything like a vintage sci-fi. It was horrifying and nerve-racking while at the same time exhilarating and full of problems to be solved. So, we got right to it. Jorgia McAfee (Elevens Productions), our amazing producer, script-writer, personnel manager, and lead actress extraordinaire had yet another trick up her sleeve: her parents. Jorgia’s parents are the kind of people where, as soon as you meet them, they immediately make you feel like family. They also happen to own Crime Prevention in Gainesville which is a very well-respected private home security installation and monitoring company. We were able to use their front conference room for pre-production as well as some of their spaces for a couple scenes in our film.
Pre-production meeting at Crime Prevention. We were doing some research and keeping notes on the big screen.
Pizza was ordered, laughter was had, and brains started churning. The real work started when we compiled a list of a limited subset of the main themes of sci-fi which included:
Discovery (ex. Star Trek, time travel, etc…)
God Complex (ex. Frankenstein, Jurassic Park, etc…)
Good Science Gone Bad (ex. The Island, The Fly, etc…)
Alien Invasion (ex. Independence Day, etc…)
There are obviously more sci-fi story archetypes but we figured that was enough to get us started. So, we brain stormed a bit, threw out a couple crazy ideas waiting for one to gain some traction… Finally, a sorta Christopher Columbus story where an alien named, aptly, Christopher Columbus, discovers the “New World” (Earth) started to take root. We debated why he was coming to Earth for a quite a while… did his emperor send him here to learn more about what resources could be extracted? Was he there to see if humans would be worth enslaving? Was he there to find the love of his life? Etc…. We took each idea into consideration trying to come up with a decent plot for the premise and eventually landed on the last one, a love story, since it seemed the easiest. We could make it a story of an alien, the last of his kind, looking for a human wife to impregnate with his alien progeny. We started off with it being a serious idea and it evolved into a vintage sci-fi romance comedy (like, WTF?, haha). We were just about to pull the trigger on the idea that the alien comes to Earth with a checklist of superficial items he’s looking for in a “perfect mate” but, of course, “finds love” with the least-likely first girl he meets when he beams down from his spaceship into the bathroom. They live happily ever after. THE END. BLAH… That would have been our disastrously boring plot if it were not for my incredibly talented Asst. Director/Asst. Editor/Asst. Director of Photography/All-around-awesome-person and little brother Christian Harris (Aqueous Films). His creative “left field” insights led us to the final version of the much better story that is: My Martian:
The filming of this project was challenging at times, incredibly fun, and so so refreshing. It took me completely out of my comfort zone because it’s just so different than shooting a wedding or a commercial project. In fact, we chose to actually shoot the video in black and white. Presumably (and, I would say, evidently), most teams (actually, probably all of those that decided to do a b&w film) shot in color and converted to black and white in post. This was our plan as well until I started shooting the first scene and realized I kept switching to b&w to see if it would look good. As the DP, I made the executive decision to bite the bullet and forgo color altogether–and it was totally worth it. Not only was I able to perfect the look in the camera, it also saved rendering time in post–which is awesome because, you know… 48 hours…
Getting ready for the bathroom scenes. Christian (left) pondering about how the scene should play out, Lexley (right) locked and loaded, Nahum (center) prepping the Ronin for the under-stall scene.
Christian being his typical self… shooting into a girls bathroom stall, haha.
Kyle (me) getting the extra-pervy shot from behind the toilet. Shot wasn’t used but could have been cool.
A little bit of behind-the-scenes movie magic here. Christian is to the camera right behind Lexley (audio) getting the other angle. Daisy Mae (Jorgia) is in the background with Angel (Miguel) in the center walking away. I’m on the left catching Daisy Mae’s reaction.
The OH-so-talented Melanie Sholl and Jorgia McAfee all made-up for the epic final scene.
Christian and I unzipping Jorgia’s dress for the 10th time to fix the wireless lapel she was wearing. No zippers were harmed in the making of this film.
The unbelievably talented duo Ariel Reich (left) and Jorgia McAfee (right) playing Betty and Daisy Mae, respectively.
Christian and I trying to figure out how to capture the shot of Daisy and Betty walking through the park.
The stump in the middle of this shot is the location of our second-to-last scene. This is at Jorgia’s parents’ house that backs up to Paynes Prairie. It was literally the most-perfect spot we could have ever dreamed of on the most-perfect night ever… full moon, stars, you name it.
Lexley and Miguel having a special moment… while I was testing the camera and lighting setup for the star scene.
The light on the left was used to help mimic harsh moonlight. I think it worked pretty awesomely. Thank goodness for the Aputure battery-powered LEDs. They were AMAZING. It’s set to minimum brightness (10%) in this shot.
Final prep with actors for star scene. It was shot on an A7sII with a Bower 14mm f/2.8 at f/5.6 at 64,000 ISO set about 2.5-3 fee behind the actors.
Quick shot of the back of the screen in during the front-shot portion of the star scene. You can see the ISO at 51,200. This angle shot with an Nikon AF-D 85mm f/1.4 at f/2.8-ish. The A7sII is a beast.
The next morning, we got to work editing on our favorite NLE: FCPX. Christian (left) is working on some compositions for Angel’s spaceship’s control panel. Kyle (me) (right) laying out the main story.
Christian working on the compositions in FCPX.
Kyle (me) working on the main edit. Notice the time on the clock and the Mountain Dew Code Red–a vital necessity.
That beard though…
What the final, edited timeline for My Martian looked like. All this was done between 9am and 5:30 PM on Sunday. Check out that sound design for the spaceship ambiance!
Two or three weeks later, the screening was held at Santa Fe. Twenty-five teams entered, twenty-three teams finished. I believe 17 of the entries were student entries, the other 6 finishers were “Open/Professional” entries. Our team, Sharpshooters, won both the “Open/Professional” and the “Best In Show” prize for the second year straight! I couldn’t be more proud of what we’ve accomplished as a team and I can’t wait for next year!
Sharpshooters + Actors/Actresses:
Kyle Farris – Director, Director of Photography, Editor